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Re: Ken Wilber: Idiot Savant or Just an Idiot?
adastra said Mar 25, 2007, 8:23 AM:
Here is a transcript I made of this dialog. It has been slightly edited for clarity. (The audio version is available for Integral Naked members here.) Ken Wilber: Idiot Savant or Just an Idiot? Integral University Student: I have a logistical kind of question: how do you personally keep track of all the information – do you use notebooks, do you work a lot on the computer? Because there's so much information. Ken Wilber: Yeah, I know. It's all in my head. IUS: <laughs> KW: That's all I can tell you. <laughs> I don't take notes, I don't have notebooks. IUS: Really? KW: I work on a computer and that's it. And then, I don't know why this is so, but it's almost like idiot savant, you know? I've read at at least a Ph.D. level in 23 disciplines. IUS: Jesus! KW: And I don't know. You hope it's something special, but I could just be a nut! <laughter> I'm not stupid, I'm aware that this is extremely weird and rare - and then you can reflect on what all that means. I think I did more of that when I was a young male, and those kinds of things were important, and people were calling you the next Hegel or something like that. And you know, you think that's great. That just has no meaning to me now; it's just what is, it's what's arising and my duty is to use it responsibly and communicate it to the best of my ability. And that part I do believe. I believe it's some sort of deep metaphysical rule that you're allowed to understand an important truth if you agree to communicate it. And I think if you don't you get sick, your soul gets really, really sick. So that's my main concern, how to handle this responsibly. That's what we're trying to do here, that's what we're trying to do at Integral University and Integral Institute in general; and I think what is really terrific about it is that, because a large part of what I'm doing is anchored in second and third tier, it's anchored in real structures of consciousness and in real states of consciousness. And so it's actually like stumbling on a new territory; it's not something I invented, it's something that I discovered. Turquoise territory, use that as an example – that's an actual substance in the universe, it actually exists, there's a place that exists, it has a kosmic address. It's just not lying around out there in a fixed way. It's brought forth and enacted by those who grow and develop to that level or structure of consciousness; and it's something that we're all bringing forth as we move into this territory – and I just stumbled on the place a little bit earlier, and just started [to] take notebooks about what I saw, writing about this extraordinary new territory. And y'all are landing on the same continent, and so we're all discussing this together; and that will start actually fleshing out that continent, incidentally. It's one of those weird wonderful things that it's a mountain that's already there but not quite. It's there as we climb it – it actually comes into being <laughs> but it's not just dependent on us, anybody that stumbles on that mountain will co-create it, because it exists. That's what's amazing about all this. Hopefully there's something special about what I'm doing, that I'm not just a nutcase. IUS: <laughs> KW: <laughs> But, you know, history makes that decision. IUS: Yeah. KW: Yeah. But usually I just have maybe 4 or 5 books open that I'm having to type quotes from, and that's about it; and I'll sometimes jot down notes about maybe the names of chapters or something but I don't have any notebooks of information or anything like that at all – and the thousands and thousands of books that I've read, for some reason I retain the information. It's not a photographic memory, because that's kinda useless, you have to understand the information. For some reason I retain the understanding of the information and so I can recall it – all of it, right back to when I was 18 and started doing this. I also have an idiot savant level of pattern recognition. I'll tell you how this works, just very quickly, since you're asking how I logistically [do this]. If I am watching a movie or watching TV and there's a movie star or an actress in it; once I recognize a face, I can spot it from any angle – if you show me a corner of their ear from behind I'll know who it is – and at any age. People see me do this, they don't believe me until they see it, and it's weird. I'll go, “hey that's so-and-so at age 12” or something and they'll go “no no no” and we'll look it up and it is [that person]. Because I have that patten recognition if I'll read Jane Lovinger and two years later read Eric Jantsch and then years later read Robert Kegan or something I would instantly see how they fit. It just pops up in my mind, it's a strange thing; but because of that I would then write down the patterns that connect because that's what I see. I don't think these things through, I'm looking at them like I'm looking at a cup or a rock or a table – I'm just reporting what I see. The reason I write so quickly is I'm not thinking, I'm seeing or hearing or feeling; and so when I sit down to write a book the book is basically already done in my head and it usually only takes a matter of a month or so to write a book – there have been 2 or 3 exceptions but it's usually extremely quick, because it's already done; and the first draft is usually very close to the last draft. So, is he special, or is he weird? Well, history will tell. IUS: Well, we're grateful that you're around! <laughs> KW: <laughs> Another voice (Rollie?): Well it's obvious you're especially weird, Ken. <laughs> KW: That sounds right! <laughs> Weirdly special.
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